A Swedish Vampire Christmas

Reversing the roles of Twilight, that other teenage romance disguised as a vampire film, comes the dark and creepy-sweet Swedish film, Let the Right One In. I saw it on Christmas Day. The new girl in town enchants the lonely boy next door with her powers – namely, she flies, does a mean Rubik’s Cube, and does not mind the cold – and he cannot resist her awkward ice-cold intimacy. They want so much to be friends that she feigns eating human food though it makes her sick and he overlooks her necessary evil.

Like Claudia in Anne Rice’s Vampire Chronicles our vamp Eli is frozen in the body of a pre-teen girl, her monstrousness disguised in big-eyed innocence. For a vampire, Eli seems very rough around the edges and filthy fingernails, but this isn’t Hollywood. The film has it’s share of blood, but the most graphically violent moments are not classically vampiric and only some involve the fanged exploits of our darling monster. Be prepared for a failed suicide by acid, clumsy bloodletting by an aging yet loyal companion, and a massive revenge fantasy that you smell coming without remotely sensing the magnitude of its enactment.

This is a tale of revenge and friendship, yet that icing barely covers an immoral taste of immortal pedophila.

The ice-encrusted trees and wintry landscapes are gorgeous and recall another vampire film, without the relentless horror. It’s good, and will leave you chilled.

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