2022 review, "Undercurrent: Hibernation and Emergence", by Jonathan Stevenson, Two Coats of Paint, Aug 2
	 essay, "Messages from the Rocks, Stores of the Invisible", by Sandee Moore, in An Alternative Field Guide to the Unknown, artist's book by Linda Duvall and Jillian McDonald

2020 article, "Hauntings at FiveMyles", by Elizabeth Johnson, Deliciousline.org, Apr 22
	 article, "Online GIF Show Well Now WTF is a Strong Start for a Net Art Revival", by Paddy Johnson, The Art Newspaper, Apr 17
	 article, "House Call: Jillian McDonald", Galleries West Magazine, May 2
	 article, "A View from the Easel", by Elisa Wouk Almino, Hyperallergic, Apr 24
	 Socially Distant Studio Visit with John Massier, Hallwalls Gallery
	 video, "The Dark Season, How to Do Things in Turbulent Times", About Place Journal, Volume VI, Issue I, May

2018 catalogue essay, "Ode to a Friend Living in the Embrace of Paradox by Letch Kinloch", Platform Gallery exhibition
	 catalogue essay, "To Find the Properties of Properties", by Jovana Stokic, One Art Space exhibition

2017 article, "Human Nature", by Rose Ekins, Canadian Art, Dec 6
	 article, "Inspiring Minds: The Social Experiment", by Michael Marshall, UM Today Magazine online

2015 chapter as author, "Alone Together in the Dark: Horror-Based Artworks and Fan Participation in Urban and Extra-Urban Space", in Media Art in the Urban Environment
		ed. by Francis T. Marchese, Springer, pp 99 - 116
	 textbook, "Elements and Principles of 4D Art and Design", by Ellen Mueller, Oxford University Press
	 article, "Valley of the Deer: Jillian McDonald at Squeaky Wheel", by Jack Foran, The Public, Buffalo, May 26
	 book, "The Transatlantic Zombie: Slavery, Rebellion, and Living Death", by Sarah Juliet Lauro, Rutgers University Press, pp 165-70, 177, 221
	 catalogue essay, "Valley of the Deer", by Ivan Jurakic - for UWAG exhibition
2014 book, "Brad Pitt as Art Muse", by SarahJuliet Lauro, in Christopher Schaberg (editor), Deconstructing Brad Pitt - Bloomsbury Academic Press
	 docuemtary film, Doc of the Dead, directed by Alexandre O. Philippe
	 article, "Getting to Know Zombies", by Kristen Hutchinson, Hyperallergic

2013  radio documentary, "Valley of the Deer", CBC, IDEAS with Paul Kennedy, Jan 25 
	 artist's project, "Valley of the Deer", Blackflash Magazine, Vol 30, Issue 1, Feb - May, 2013, pp 25 - 31
	 catalogue, "Alone Together in the Dark", text by John Spiak and Stefan St-Laurent, ASU Art Museum exhibition
	 review, "The Modern Monster at Queen's Nails, San Francisco", by Leora Lutz, San Francisco Arts Quarterly
	 review, "No Dull Affairs at Onsite OCAD", by Caitlin Sutherland, Daily Serving, Aug 29
	 article, "Woman to Watch: Jillian McDonald", by Barry Chong, Toro Magazine, June 18, 2013 
	 article, "Q&A: Jillian McDonald On Highland Noir", by David Balzer, Canadian Art, Summer 2013
2012 catalogue, "Electric Speed" exhibition, edited by Kate Armstrong 
	 interview, "Electric Speed" - by Cedar Tavern Singers, Vague Terrain online publication
	 article, "Edmonton horror film artist Jillian Mcdonald talks being named this year's Glenfiddich Artist-in-Residence", by Rachel Phan, 
			The National Post, June 25
	 catalogue, "Faster Forward", essay by Frank McCauley
	 article, "For the Ethical Treatment of Zombies", by Sarah Juliet Lauro, Incognitum Hactenus, Volume 3
	 article, "Audience Participation: The Social Network", by Anuradha Vikram, Artillery Magazine, April / May 
	 article, "Latest Distillery Project Turns into Horror Story", by Andrew Youngson, The Press and Journal, Scotland, Sept 28
	 article, "Favourite Haunts", Mercedes-Benz Magazine, Fall/Winter 2012

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2011 book chapter and cover, "Zombies Invade Performance Art...and your Neighbourhood", by Sarah Juliet Lauro, in "Better off Dead", 
			eds. Sarah Juliet Lauro and Deborah Christie 
	 article, "Beyond Galleries", by Claire Lieberman, in "Art Experience NYC magazine", Fall 2011, pp 16 - 33
	 review, "Suicide and Satan at Delaware County Community College", by Roberta Fallon, Philadelphia Weekly, Apr 13 
	 review, ""My Sweet, Sweet", a funny, icky, outstanding show at Agnes Scott", by Felicia Feaster, ArtsCriticATL.com, Feb 23
	 catalogue, "Horrified", essay by Virginia Spivey
2010 essay, "Say Like...If Someone Burns Toast...", by John Massier, for Hallwalls exhibition catalogue
	 essay, "Zombies", by Kimberly Rhodes, for Drew University exhibition brochure
	 review, "The Horror, The Horror: Jillian Mcdonald", by Robert Enright, Border Crossings Magazine, December
	 essay, "Performativity and the Web", by Joanne Lalonde, for La Chambre Blanche
	 review, 'Exhibit Bloody Good...and Good and Bloody', by Alison Gillmor, Winnipeg Free Press, Oct 14
  	 essay, "RedRum: Jillian Mcdonald", by Milena Placentile, catalogue essay, Gallery One One One, University of Manitoba 
	 essay, "Jillian Mcdonald: RedRum", by Cliff Eyland, catalogue essay, Gallery One One One, University of Manitoba 
	 article, "The Wildest Faculty Web Pages", by Don Troop, The Chronicle of Higher Education, Dec 10

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2009 interview, "Brookyn DIY" documentary film by Marcin Ramocki
	 TV feature, "Zombier" - Skräckministeriet series, SVT Television, Oct 1
	 feature, "Jillian Mcdonald", e-magazine, pp 94-97, august issue
	 book, "Art and the Subway: New York Underground", by Tracy Fitzpatrick, Rutgers University Press, pp 168-169
	 review, "Jillian Mcdonald, Monstrosities", Shotgun Review, by Genevieve Quick, July 22
	 review, "We Walk with a Zombie: Nights and Days of the Dead Economy and Culture in Art, Movies, Books, and Song", San Francisco Bay Guardian, by Johnny Ray Huston, Cheryl Eddy, + Tony Papanikolas, July 8
	 review, "Det er bare mega uhyggeligt!", Kunsten.nu, by Sanne flyvbjerg, June 12
	 article, "Zombiefes" "Malmo Lund CITY, by Tara Moshizi, May 26
	 TV feature, "Zombievandring i morkret", SVT Television, May 25
	 article, "Zombierna Anfaller", People Magazine (Sweden)