Video • 2024
VIDEO, RADIO BROADCAST, and IMAGES
2 Videos • 2023
Video • 2022-2024
Video • 2022
Video • 2019
Video • 2018
Filmed in the Yukon where gold mining continues since the 19th century gold rush, townspeople and rocks burst into gold dust that hovers in the air or falls back to earth.
2 channel video installation • 2018
Video• 5:54 minutes• 2017
HD video • 48 minutes• 2017
Speculative fiction re-wilds the Georgian Bay biosphere, where humans are replaced by giant crystals, glowing pools, and mirrored surfaces
Funded by the Georgian Bay Land Trust King Family Bursary.
2 channel HD Video installation • 20:50 minutes • 2015
Starring the wintry white prairie of rural Manitoba in late winter. White animals populate the scenes and appear both as masked actors and live animals. They come out of hiding to hunt, losing their camouflage and turning to ghosts in skull-littered fields.
Filmed in residence at The Art Gallery of Southwestern Manitoba in Brandon. Soundtrack by Keri Latimer.
HD Video • 23:49 minutes • 2015
Shot in Newfoundland, known as "The Rock" to Newfoundlanders, and filled with supernatural notes - trees shimmers, rocks emit light, mummers appear like ghosts, northern lights shine, and iceberg mirages vanish. The images are lulled by the tune of a sea shanty, composed by Keri Latimer in a "call and response" style.
HD Video • 12:30 minutes • 2013
A line of fog creeps across wintry landscapes, hinting at a haunting presence.
Filmed in residence at The Glenfiddich International Artists' Residency in Scotland. Soundtrack by Keri Latimer.
HD Video (48:30 minutes) and 3-channel video installation (21:35 minutes) • 2013
Filmed across northern Scotland, featuring masked predators and prey in a hunting narrative that is based on local folklore.
Filmed in residence at The Glenfiddich International Artists' Residency in Scotland. Soundtrack by Knocker.
HD Video • 6:25 minutes • 2012
Festival flags, strung from a town's stone clocktower, and fluttering in the wind, suggest a foreboding presence.
Filmed in residence at The Glenfiddich International Artists' Residency in Scotland.
3-channel video • 2011
Trespassing digitally into TV and film scenes from Twilight (New Moon), True Blood, and Being Human, I have three staring contests with Edward, Bill, and Mitchell - the leading male vampires. These are the new breed vampires of our dreams - insatiable, beautiful, charming, yet dangerous. No one wins and no one loses.
Commissioned and curated by Kate Armstrong and Malcolm Levy for the Electric Speed Marshall McLuhan Commission.
VIDEO & IMAGES
high definition video • 18:30 minutes • 2011
Actors enter a foggy field one by one, die, then stagger off, undead. Meanwhile others haunt the gloomy field in the background and foreground. The actors were all given a simple instruction, filmed separately, and composited together (a process that took three years to complete) in order to lend their appearances an other-worldly quality.
Filmed on location at Golden Gate National Park, California while in residence at The Headlands Center for the Arts. • Costumes by A.M. Richard • Soundtrack composed by Knocker, arranged by Knocker and Jillian Mcdonald.
high definition video • 7:44 minutes • 2010
Its title a reference to The Shining where a boy predicts "redrum" (murder) before a hotel elevator bursts with blood and all hell breaks loose, this video has a haunted horror theme. The scenes take us through a cavernous home where blood - a predominant prop in horror films - drips from faucets, runs down mirrors, and pools on stairs. This blood appears disembodied until the camera slowly reveals its haunted source, visiting neighbouring houses that also drip with blood, suggesting a murderous streak. RedRum, filmed on location in Buffalo, NY in late 2009, features local teenagers, Buffalo homes, and The Buffalo Soundpainting Ensemble.
Filmed in residence at Hallwalls Contemporary Arts Center.
high definition video installation • 2009
Two videos projected on opposite walls feature zombies and vampires in a Wild West showdown at dawn in the desert. Surrounding the videos are floor-to-ceiling photographic murals that wrap the gallery in local desert imagery: cacti, mountain, rugged terrain, contemporary ghost towns, and graveyards. Freestanding photographic cacti rattle dryly via tiny speakers.
Filmed in residence at ASU Art Museum with a cast of locals in Tempe, Arizona, including 50 actors,
4 videographers, 1 documentary photographer, 10 make-up artists, and 1 sound designer.
VIDEO & IMAGES
video • 1:30 minutes (loop) • 2008
I insert my image digitally into a scene from Meet Joe Black, caught in a endless staring contest with actor Brad Pitt which no one wins and no one loses.
video • 2008
Superfan features the artist, trespassing digitally into scenes from Hollywood films. She rides in vehicles with costars Billy Bob Thornton and Donald Sutherland, but despite their attempts at conversation, the trio of male leads cannot shake her concentration on the game, that is, the final minutes of a Superbowl game radio broadcast.
Commissioned by Art Engine (Canada).
video • 11 minutes • 2007
I trespass digitally into existing horror films scenes. Uttering a scream on cue with the startling action, but
rather than screaming in helpless horror, I scream to scare the monsters away, or even destroy them. (pictured -
screaming in Hallowe'en)
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Video and website 2005.
• Created with support from Soil Digital Media in Regina
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